| Easy to Play Irish Jigs and Reels for Piano Piano solo Kevin Mayhew
Irish traditional music is central to much of Irish culture and life. These reel...(+)
Irish traditional music is central to much of Irish culture and life. These reels and jigs capture the rhythm and vitality of Irish music in settings for easy piano. Reels are simple dance tunes in fairly fast 2/2 time, consisting of eight-measure phrases which are repeated over and over again. Jigs are popular dance tunes in 6/8 time. With thirteen reels and thirteen jigs, this collection is sure to provide hours of enjoyment
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| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violin [Sheet music] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Banjo Pickers Fake Book Banjo [Fake Book] Oak Publications
By David Brody. For Banjo Tab, with chord symbols. Traditional, Bluegrass. Sheet...(+)
By David Brody. For Banjo Tab, with chord symbols. Traditional, Bluegrass. Sheet Music. 216 pages. Published by Oak Publications.
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Irish Fiddle Tunes for Two Violas 2 Violas (duet) Greenblatt and Seay
Arranged by Deborah Greenblatt. For viola. Enjoy these 32 traditional Irish tune...(+)
Arranged by Deborah Greenblatt. For viola. Enjoy these 32 traditional Irish tunes arranged for two violas, with chords for back-up players included. Irish Fiddle. Book. Published by Greenblatt and Seay.
$15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Irish Fiddle Tunes for Two Mandolins 2 Mandolins (duet) Greenblatt and Seay
Arranged by Deborah Greenblatt. For mandolin. Enjoy these 32 traditional Irish t...(+)
Arranged by Deborah Greenblatt. For mandolin. Enjoy these 32 traditional Irish tunes arranged for two mandolins, with chords for back-up players included. Irish Fiddle. Book. Published by Greenblatt and Seay.
$15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Irish Fiddle Tunes for Two Cellos 2 Cellos (duet) Greenblatt and Seay
Arranged by Deborah Greenblatt. For cello. Enjoy these 32 traditional Irish tune...(+)
Arranged by Deborah Greenblatt. For cello. Enjoy these 32 traditional Irish tunes arranged for two cellos, with chords for back-up players included. Irish Fiddle. Book. Published by Greenblatt and Seay.
(1)$15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 50 Tunes for Banjo, Volume 1 Banjo [Sheet music + CD] Mel Bay
Traditional, Old Time, Bluegrass and Celtic Solos. By Mark Geslison. For Banjo (...(+)
Traditional, Old Time, Bluegrass and Celtic Solos. By Mark Geslison. For Banjo (5-String). solos. Fiddle Tunes. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 168 pages. Published by Mel Bay Publications, Inc.
$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Irish Fiddle Tunes for Two Basses 2 Double basses (duet) Greenblatt and Seay
Arranged by Deborah Greenblatt. For fiddle. Enjoy these 32 traditional Irish tun...(+)
Arranged by Deborah Greenblatt. For fiddle. Enjoy these 32 traditional Irish tunes arranged for two basses, with chords for back-up players included. Irish Fiddle. Book. Published by Greenblatt and Seay.
$15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 50 Tunes for Guitar, Volume 1 Guitar notes and tablatures [Sheet music + CD] - Easy Mel Bay
Traditional, Old Time, Bluegrass and Celtic Solos. By Mark Geslison. For Guitar ...(+)
Traditional, Old Time, Bluegrass and Celtic Solos. By Mark Geslison. For Guitar (Flatpicking). solos. Fiddle Tunes. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 160 pages. Published by Mel Bay Publications, Inc.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 50 Tunes for Fiddle, Volume 1
Violin [Sheet music + CD] - Easy Mel Bay
Traditional, Old Time, Bluegrass and Celtic Solos. By Mark Geslison. For Fiddle....(+)
Traditional, Old Time, Bluegrass and Celtic Solos. By Mark Geslison. For Fiddle. Solos. Fiddle Tunes. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 144 pages. Published by Mel Bay Publications, Inc.
(6)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 50 Tunes for Bass, Volume 1 Double Bass [Sheet music + CD] - Easy Mel Bay
Traditional, Old Time, Bluegrass and Celtic Solos. By Mark Geslison. For String ...(+)
Traditional, Old Time, Bluegrass and Celtic Solos. By Mark Geslison. For String Bass. Solos. Fiddle Tunes. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 176 pages. Published by Mel Bay Publications, Inc.
(1)$29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Irish Fiddle Tunes for Two Violins 2 Violins (duet) Greenblatt and Seay
Arranged by Deborah Greenblatt. For violin. Enjoy these 32 traditional Irish tun...(+)
Arranged by Deborah Greenblatt. For violin. Enjoy these 32 traditional Irish tunes arranged for two violins, with chords for back-up players included. Irish Fiddle. Book. Published by Greenblatt and Seay.
(1)$15.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bach to the Future - Intermediate/advanced Wilhelm Hansen
Score Orchestra; Percussion - Grade 4 SKU: HL.14003062 Percussion and ...(+)
Score Orchestra; Percussion - Grade 4 SKU: HL.14003062 Percussion and Orchestra Score. Composed by Per Nø, Per Norgard, rd, and rgå. Music Sales America. Classical. Set. 134 pages. Duration 1200 seconds. Edition Wilhelm Hansen #KP00615. Published by Edition Wilhelm Hansen (HL.14003062). ISBN 9788759870075. 12.0x16.5x0.7 inches. Danish. Per Norgard BACH TO THE FUTUREFor many years I have been specially fascinated by three of the preludes of Bach's Well-tempered Piano, and I wish with this concerto-version for percussion-duo and orchestra to highlight some of the structural aspects of these pieces: It is my belief that there is a tradition in the music history, that makes it possible to let certain germs in an earlier period unfold into new, but not heterogenious, dimensions of a perhaps several hundred years later phase of the tradition.This concerto is a result of several years collaboration with Uffe Savery and Morten Friis (Safri-Duo), as well in original compositions - (Resonances, Repercussion, Resume in EchoZone I-III) as in arrangements of the 3 Bach preludes, preparing for the enormous stylistic challenges of this work.A few introductory comments to each movement:I Movement: The archetypal sequence of broken chords within C-major has established itself as almost a cultural code, allowing the composer of 1996 to tell his tale-in-tones only by stressing and colouring the tones in the original piece without changing the pitches or (relative) durations as a 'palimpsest' containing as well the old as the new musical tale simultaneously. Later in the movement, this singleline is multiplied by the, till then discrete, but permanently pervading, proportion - throughout the piece - very close to the 'Golden Section'(= 3:5:8.t.i:8 before repetition, 5 before starting anew from the deepest tone, 3 as the rest etc. unchanged). The 3 tonal levels as well as the 3 relative speeds are treated according to these proportions for certain passages, but even in those the main focal point is directed at the freely invented melody (by me) incarnating itself solely by the unpermutad sequels of the original prelude.II Movement: One feature of the F sharp-prelude pervades all the six minutes-long second movement: A 4 times identical rhythmic pattern = 6:4:3:2:3:4:6 - as an hourglass-shaped timeshape - inspired me by the closeness of this pattern to a shape within the infinity-drumming of my invention, called Wide-Fan and Narrow-Fan , referring to pattern consisting of 8:4:2:1:2:4:8, the familiarity with the above - quoted one being obvious. New and old elaborations of this pattern-pair permeates the movement, especially since the Safri-Duo by their performance of my Repercussion had augmented my appetite for including this idiom in a wider context:III Movement: Without the existence of the d-minor-prelude I doubt that I would have dared to write a work like this, since it is the inexhaustible, rare quality and pecularity of this piece, which has stimulated my feeling of wonder and 'modernity' (or: eternity!) of this piece, of which I know of no equal in its special respect: the perpetual ambiguity of melodic foothold in the rhythmic ostinato of a broken descending triad, co. $82.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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